I AM CHIKARA

You love movies.

Now imagine that every movie is a Michael Bay movie. They’re big. They’re dumb. They’re entertaining to the right audience, but they aren’t exactly what one would call art. A hundred movies are released every year and all of them have Shia LaBoof and robot nutz.

Except you’ve stumbled upon some indie films by some guy named Paul Thomas Anderson. Could you convince anyone that film can be an art form? That it can tell a meaningful story? That it can reveal something about the human condition? That it can make you feel something?

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I love professional wrestling. And in several days, I’m taking what amounts to a pro wrestling pilgrimage. I’m going to my first CHIKARA show.

If I needed to prove that professional wrestling can be art, about 85% of my evidence would come from CHIKARA or from WWE guys like Cesaro, Sami Zayn, or Luke Harper who once wrestled in CHIKARA.

Just one year ago, it seemed that CHIKARA had died. Continue reading

In Defense of Professional Wrestling

I barely remember how I became interested in professional wrestling. I had a few middle school friends who essentially tricked me into watching a couple of pay-per-views. I was an elitist asshole back then too, so I would never have watched “trash” like WWF (as it was known before a World Wildlife Fund lawsuit) of my own volition.

One video game later, WWF No Mercy of course, and I was hooked. I watched religiously until graduation, even listening to Raw on scrambled cable like it was porn (Oddly enough, I never thought of watching actual scrambled porn). I never watched again until CM Punk’s infamous promo last summer caused enough buzz to pull me in once more.

For better or worse, I can’t shut off my brain and just enjoy a thing. I need to know everything. So, in addition to WWE, I began watching Ring of Honor, a company that stresses the “wrestling” above the “entertainment,” Chikara Pro, an American company with high-flying, lucha libre influences, and Dragon Gate USA, a Japanese promotion in the United States influenced by both lucha and pouresu, a Japanese style that uses heavy striking.

After a year and a half, I’m coming out of the wrestling closet. Continue reading