Nike is a far better symbol for America than Columbia. Not only is Nike appropriate as the Goddess of Victory (Success in almost 90% of our military conflicts), but also as the Goddess of Just Doing a Thing. We do. We don’t think; frequently before, but especially after. For all America’s positive traits, we are not a nation of reflection.
Some months back, I posted an essay claiming that American society places an extremely high value on violence. If this is true, the Western is easily the most “American” style of film.
After all, consider the subtext of every Western: Justice (read: violence) dispensed from the twin barrels of a righteous sawed-off shotgun. Others will fail you. Society will fail you. The law, most of all, will fail you. Your convictions, backed by a six-shooter (and a high-powered rifle for that guy on the rooftop), never will.
It doesn’t get more American than that.
Before I watched Unforgiven, I had never enjoyed a Western. Unforgiven, though, is perhaps less a Western than it is a deconstruction or critique of Westerns. Unforgiven took apart the myth of frontier justice and replaced it with something far messier and far uglier.
It asked the quintessentially un-American question: Why do you love this?
The violence of Unforgiven is merely pervasive; its consequences are inescapable. Continue reading