“IN WHICH AN UNSTOPPABLE FORCE MEETS AN IMPLAUSIBLE OBJECT”
24 is a groundbreaking and important television series. Beyond the thrills, kills, twists and tragedies is a show that reached a new level of serialized storytelling and set the bar for action and suspense on network television. Lasting for 8 full seasons–192 Episodes plus a TV movie–24 is one of the longest-running shows of the past 15 years. Others, like Grey’s Anatomy, NCIS, Smallville, all three CSIs and three of four Law & Orders, may have run longer, but the argument can be made that none of those shows are equally as worthy of contributing to the debatably labeled and vaguely-defined “Third Golden Age of Television Drama” that began with The Sopranos in 1999 and is now fading with the end of Breaking Bad and the impending finale of Mad Men. Perhaps 24 doesn’t quite reach the dramatic heights of those shows, or others like The Wire and Deadwood, or even The Shield, Lost or Battlestar Galactica, but it was always a strong awards and ratings contender and it was just so addicting and fun to watch.
Please join us—Patches, Zach, Jeff and MegaMix—as we take a look back at this series, discussing one season every month until the premiere of the new 12-episode miniseries 24: Live Another Day in May 2014.
This month’s discussion is focused on Season 4 of 24, which premiered in January of 2005.
It contains SPOILERS for the entire series of 24 and strong language. Parental discretion is advised. Discussion occurs in real time.
Whew! Season three was good. Like, REALLY good. So, what now? Where do we go from here?
From the start of 24’s fourth season, there is the sense of a radical shift in the style of storytelling the producers are utilizing. Instead of using three season-long arcs as they had for the previous days, they chose to adopt the “barrel-through-a-series-of-disasters” method that creates a relentless pace of intensity not seen before on the show. “Hold onto your butts!”
In some ways, this was a pretty interesting way to tell the new developments in Jack Bauer’s life, but not so much in others. This approach allowed the show to become the “action” series for which it would become most well-known, however, it ultimately takes away from the show’s ability to connect with new characters and create relationships like it had for three years. For me, this season comes off as an ultraviolent step in a direction counter to that which made the show great to this point. Continue reading