Almost 14 years after it ended its original run, The X-Files is returning to the small screen with a six-episode miniseries this winter. To welcome it back, Jeff and I will be writing responses to each episode. Here’s the hook: Jeff is a pretty hardcore X-Files fan and I haven’t seen a single episode of the show. How we’ll respond is anyone’s guess, but as always: The Truth Is Out There.
This post covers the fourth episode of the miniseries, “Home Again.” It contains spoilers for this episode as well as the entire original run of The X-Files.
Glen Morgan pulled a fast one! “Home Again” has absolutely nothing to do with Season 4 classic “Home,” with the exception of setting a gruesome murder to a poppy tune. It’s probably better off that way, because while this episode brings the feels and a bit of the creepiness, it doesn’t hold together as a whole.
The “Band-Aid Nose Man” or “Trashman” who rips up bureaucrats in order to defend the homeless is an appropriately creepy character. The way he dispatches his victims, by tearing them apart, is also gross and disturbing. His origins, what he means, and how he ties into the Scully family drama is a mystery. I guess Trashman comes from a trash truck, except when he comes from graffiti. He is the unintentional creation of an unintelligible artist who accidentally got angry about homelessness when he sketched (and/or sculpted) him and that brought him to life. Apparently other creations by this artist have come to life too, though that’s not explored in the episode. It’s all a little vague.
The effectiveness of a vengeful golem crossing names off of his list wears a little thin when it’s unclear whether there is anything more behind it except “America has a problem with homelessness that most people choose to ignore,” or more appropriately, “put a band-aid over.” If that message was less overt, or perhaps non-existent, and we just followed an anthropomorphic piece of murderous artwork around, that might be more entertaining. Unfortunately, Continue reading